fifth release on the acclaimed imprint from those lovely people over at the acclaimed sleazybeats blog. the dust just doesnt seem to settle at team sleazy who are set to unleash their fifth dish of mid-tempo filth. sbr005 should likely round out what has undoubtedly been more than a successful year for the sleazy beats crew. as hard as it might seem to upstage their recent sampler, this release by berliner daniel solar (of no more hits and dikso fame) is another trio of totally on point sleazy business which showcases daniels stellar skills. things start off with midfidelity funk, a snappy romp through steady synth and disco string territory. this little number delivers a perfectly spell-binding groove with nicely placed rhodes stabs, crisp tambourines and haunting vocal at the breaks. on the flip, twinkle love snaps out a sweet melange of piano, guitar/bass riff and morphing vocals that combine to give a lively mood and open atmospherics. finally, rounding up the ep is la fleur, a wonky yet punchy cut thats ripe with staunch drum sounds and strings amidst loopy vocal snippets for good measure. all three tracks ride a 110ish bpm groove that is likely to ring bells for those who have been following and digging the sleazy sound so far. the last few releases all sold out in a matter of weeks, so dont sleep on this. you know the drill by now: limited release, no repress.

limited raw sounding dubby house edit !! killer!! sorry, but its no a high fidelity sound... very very dirty and raw

not much really needs to be said about a new release on mahogani music, especially since it involves contributions from some of detroits greats, including kenny dixon jr, anthony shakir, carl craig, and last but not least, the main man sherard ingram aka stingray. its a single lp which contains 12 tracks. a couple of shorter skits, but most pretty much full tracks. time to state the obvious.. !!attention!!!: this release contains some clicks , maybe not good enough for high fidelity fans... sound is raw and analog!!!

four outstanding techno tools for the dancefloor, brought to you by fortek records.

bristol-based kss black records are proud to present their second vinyl release:
a: holdtight ? blackstone ? holdtight make a welcome return with a rollicking slab of lo-fidelity sci-fi drum & bass. a steely backbone of percussion provides the skeleton to which a gut wrenching sub line and precision cyber-bleeps are built. full of atmospherics and stabs blackstone offers up a master class in layering grooves to capture the crowd. this one wont stop until it gets you!
aa: mute ? suspense ? the flip for this fine 12inch features the brothers mute, with a massive debut vinyl release! >suspense< has got skanker written all over it, reminiscent of the days grooverider was dropping adam fs seminal track >metropolis< on dub. modern production values are infused with the sweaty funk of 90?s dancefloor tech. heavily influenced by the sounds of photek and, more recently, break with technical drum programming and a bassline to trouble any bass bin as they looking backwards to move forward. you wont miss it when this tune drops.. bassface time! featuring on baileys 1xtra show several times last year this is not a tune to miss out on. both tracks have been receiving heavy support from bailey, lomax, survival & break.

die mobile fidelity record cleaning brush ist die moderne version der altbekannten kohlefaserbürste. noch einfacher in der anwendung reicht eine einzige plattenumdrehung um diese schonend vom staub zu befreien. die breite dieser bürste entspricht der bespielten fläche einer lp und sie eignet sich somit auch hervorragend zur verwendung mit plattenwaschmaschinen und l’ art du son. profis arbeiten mit zwei bürsten: einer zum entstauben und zur entfernung grober verunreinigungen und einer weiteren zum nassauftragen. die mikrofasern können sie mit destilliertem wasser und einer zahnbürste reinigen. falls dies nicht mehr hilft, erhalten sie die pads mitsamt klebestreifen als austauschteile.

must-have for all fans of dfa, tiny sticks, fidelity, eskimo, wurst edits… super dope piano-house

2nd release on ibrahim alfas cutting edge techno and electro label based in brighton,uk.

classic electro cut series !! part 5 incl arthur baker, aleem, fantasy three, dr jeckyll & mr. hyde and many more

the opening series of stars-music hs finally come to an end, even more hi-fidelity and more emotional than before. so far the best release from stars-music. valve is for blue, sleepless nights with the neon lights of the city in the backround, kick and snare unsparingly mashing between the concrete heightsÓ minimal deep deep space disco boogie with techhouse flavours

5 techno bombs 100% for the club. hard techno with soul

thomas blanchot, 40 years old percussionist and drummer, started his production structure mato production in 2001, with which he collaborated and directed for many projects. composer, music publisher and producer of music for tv, advertising, films and records, he also began a career as reggae producer since 2006, under the name -mato-. since then he’s released music through various projects concepts, coming out through labels such as makasound, edr records or big singles. in the meantime he developed a real trademark: taking over classics french, hip-hop, or pop song, into roots reggae-dub new versions. besides since 2010, mato’s built a solid reputation thanks to his many remixes of hip-hop classics on stix records. it is therefore natural to find him back with a new attractive concept on the favorite recordings’ sub-label: seasoning the notorious -homework- by daft punk, with his special reggae-dub sauce. once again mato achieves a brilliant rendition with this homework dub, making almost dreadlocks grow on the french robots’ heads! using kick-effects, delays and roaring bass, he reinvents one of the most famous albums of electronic music, as if it was straight-out from scientist, king tubby or mad professor’ studios in jamaica.

limited edition, 2xcd homework & discovery originals in one pack

2021 reissue of daft punks homework longplayer!

daddy kevs label is proud to announce the release of ctrl alt delete, the debut album from free the robots. a staggering work of mind-warping electronics, fuzzed-out psych and devastating hip-hop beats, the impending release of ctrl alt delete will catapult free the robots to the forefront of the world renowned l.a. beat scene. initially started as a side project by chris alfaro in 2003, free the robots has quickly garnered a worldwide audience. combining dusty swap-meet samples, futuristic synthesizers and live instrumentation, free the robots has created a unique harmony of past sounds and future ruminations. much like his l.a. contemporaries flying lotus and nosaj thing, free the robots knows no genre boundaries. ctrl alt delete, which also features ikey owens of the mars volta, has been a long time coming. originally signed to alpha pup over two years ago, free the robots has put his heart and soul into this album. meticulously constructed, the album is a culmination of countless late nights at low end theory club, combined with a spirit of fearless experimentation. the result rattles with grit and swagger - a firm proclamation of free the robots sonic arrival.

exzellenter sampler des deadmau5-labels play records mit den besten 11 electro-tunes des aktuellen katalogs in den besten versionen, zusammengestellt von melleefresh, ungemixt in voller laenge, groesstenteils zum ersten mal auf cd erhaeltlich! ein wahrer electro tsunami!